15 October 2015

The Robocop Reboot

While I was preparing the badges for Furnace X  tonight, I watched the reboot of Robocop. I enjoyed it, but I think that it lost itself somewhere between trying to be a serious story about the use of robot weaponry, a story of relationship changes forced by Alex Murphy having a near full-body prosthetic fitted, and a crime action thriller. It was really disappointing that the female characters were reduced to ciphers; more could have been made of them. The technology, look and feel was excellent though. Recommended, somewhat reluctantly.

15 October 2015 

16 September 2015

Initial Thoughts on iOS 9

I don’t do the public betas of iOS or OS X, as I prefer the guarantee of a better level of stability (although, it has to be said that Photos and iTunes under Yosemite are really good at causing a kernel panic through the NVIDIA graphics chip and taking my iMac out). As a result, I’ve been watching news and comments articles on iOS 9 with interest.

I finally got to try it today, as – surprisingly – I was able to download the installers on all on our iOS devices from about 90 minutes after the update went live. This is fantastic compared to previous launches when the servers have been so busy that it has taken me the best part of 24 hours to get the download.

Installation was smooth on our iPad 2, iPad mini, iPhone 5s and iPhone 6. The old iPad 1 is long past updates but fine for movies and some internet.

First impressions - the new system font, San Francisco, feels more rounded than Helvetica Nueue, but I like the style. In honesty, three hours in it feels the norm. The introduction of a ‘Back to App’ option when you drop to another app is great. The introduction of Ad Blockers seems great, but unfortunately can’t be used on the iPads as they aren’t 64 bit CPUs which the architecture is built around. The backlight adjustments for ambient light seem more aggressive. I’m not certain in the new app switcher screen, but I’m glad it lost the contacts material. It feels quicker, but this could be psychological.

Be interesting to see how this develops.

16 September 2015

09 April 2015

Interstellar (potential spoilers)

I watched Christopher Nolan’s epic hard science fiction movie Interstellar over the weekend while Jill was ill and I wasn’t. Visually, it was awesome, but the story left me feeling underwhelmed.

Now, I’m not sure if I’m the right kind of person to be judging this as I probably understand more about the scientific jargon that they use in the film than Joe Average, but it was nothing about the science that was an issue. I think that it fell into the 2001 A Space Odyssey trap of loving itself just a little too much. Some of the key events seemed very semaphored and obvious, especially who was signalling to humanity, and the revelations of Dr. Mann’s world. Some of the backstory elements; for example, the chasing of the drone and the weird compass effects on the combine harvesters weren’t that well developed and seemed to be bolted onto the plot for exposition. I’m also not convinced about the entry into the black hole, but I’ll take John O’s recommendation and read Kip Thorne’s tie-in science book first before I have a final judgement on that.

One element I did like was the way that it used an analogy with the issues seen in the present-day USA with creationists rewriting text books to remove evolution, to a plot thread with the US government officially having the Apollo programme officially a successful propaganda exercise and that the moon landings never happened. The smugness of the young teacher spouting this off made me want to shout at the screen. I think you could make a really interesting film using this as a concept. The ideal vehicle for it would be the novel by Niven, Pournelle  & Flynn: Fallen Angels.

I enjoyed the film, and will happily watch it again, but I think it reached high, and fell short of the stars.

9 April 2015

15 March 2015

12 March 2015

Farewell, Sir Terry, 66 years is too short

Terry Pratchett Books

It's strange how some things hit you. I've known that we will lose Sir Terry Pratchett prematurely since 2007, but wasn't expecting to hear the announcement today when I was driving home.

His books have always been a staple of my life since I started secondary school in 1983, when The Colour of Magic was first published. I can remember reading the adventures of Rincewind the Wizard with glee, and eagerly devouring the next book when it came out. A family tradition was born; every Christmas, my mother and father would always buy me the paperback of the latest Terry Pratchett, along with the annual Tolkien Calendar and probably a Satsuma and a Terry's Chocolate Orange.

At University, his books were my escape from examinations, and I tended to rip through the whole series (back when it was considerably shorter in the early nineties) as light relief and a touch of procrastination. His humour slowly shifted and became more subtle rather than slapstick, but I still found my sides splitting with laughter at unexpected moments.

Now I've children, my rate of reading has massively slowed, and I'm overdue a complete re-read of his books by several years. But the Christmas tradition continued, with a new book each year. Except now he's gone, and a little bit of my childhood with him.

Farewell, Sir Terry. You'll always be remembered through your books and the joy they have brought. But tonight, I will feel sad and raise a drink to you, as you pass into memory with a tall darkly hooded figure with a scythe, a horse, a strange twinkle of starlight in his eye sockets, and A LIKING FOR CAPITAL LETTERS.

12 March 2015

03 January 2015

Happy New Year!

Just a quick post to wish you all a happy, prosperous and healthy New Year from the Mooney household, now we’re calming down from a complicated Christmas and New Year Period.

(You may still see a few posts appear in 2014, as I recover material from the archive that I never actually posted!).

27 December 2014

Tolkien Cinematic Universe

Today I saw the final part of Peter Jackson's adaptation of JRR Tolkien's The Hobbit, a story that I love and have cherished since I was a child. All in all, I found it a satisfactory conclusion.

Yes, the battle sequences were long and drawn out - in many ways mirroring the approach in The Lord of the Rings’ third part, but they were offset by the moments of humanity in the film with the fall and redemption of Thorin Oakenshield from the dragon-sickness for gold and the conversations involving Bilbo Baggins.

The visuals seemed to be channeling Warhammer, especially with some of the creatures used for steeds and the looks of Dain Ironfoot. Looking at the references in Foster's Complete Guide to Middle Earth, and searching on "Dain”in The Hobbit and Unfinished Tales gives no really hint of Dain's character beyond the fact that he was a doughty and determined warrior who finally fell at the Battle of Dale during the War of the Ring next to his compatriot King Brand1. I guess that this means that this interpretation is as good as any, and in some ways, having Billy Connolly playing him as a Scottish Dwarven Hard-man was an act of inspired genius.

I started to watching the first part, An Unexpected Journey again tonight, and it showed much more of a consistency of characterisation than I recalled, especially around Thorin, the dragon-sickness, honour and bravery. I may revisit these notes after I have re-watched the whole sequence.

Fundamentally, film is a different medium to a book, and what makes a good book doesn't necessarily make a good film. Slavish adaptations often fail. At times, Peter Jackson does push it too far for my liking - the Goblin Town sequence in the first film, the barrel ride sequence in the second, Legolas the Super-Hero, but I suspect that these were aimed at a younger audience than me. They certainly delivered thrills and a counterpoint to the darker parts of the film. However, overall I loved the visuals and the exploration of a tale that I and my eldest love dearly.

I entitled this post Tolkien Cinematic Universe for a reason; the recent Marvel films are referred to as the Marvel Cinematic Universe as they have not followed the existing canon slavishly but have still had a recognisable validity and similarity to the original published works. I think that Jackson's films hit exactly the same spot; lovingly created, but only related to the original.

27 December 2014
1. I’m not ruling out further descriptions of Dain Ironfoot in the ephemera of Tolkien that followed Unfinished Tales from the Book of Lost Tales onwards, but in honesty I gave up on delving deeper into the Tolkien canon at that point. The depths nearly always end up with bad things happening, like Balrogs or Dragons. ↩

08 December 2014

Simple Minds - Big Music


I’m pretty excited about Monday’s release of a new Simple Minds album, more so than I have been for a long time. From the snippets that I have heard, it’s a definite nod to their earlier style (pre-stadium rock).

Simple Minds were the first band that I saw live, driving over the Pennines in my mum’s old Mini Clubman (we’re talking 1989 here, so it’s a small car rather than the current Giants) with several of my friends to see the concert at Roundhay Park in Leeds, around the time of Streetfighting Years. I can’t remember exactly who I was with, and the photos from the day are in storage too, but I think it may have involved Mike S, Christine M, and possibily Caroline R, Liz M and Nigel McN), but I do remember that it was a long day, but great fun.

Simple Minds are one of the best live acts that you will see, whether it is at a small intimate venue or a stadium. They have an ethos that you’ve paid to be entertained and they make sure that they put on a good show. So much so that when I saw U2 on the Zoo TV tour at exactly the same venue a few years later it was a disappointment and definitely overhyped!

I first found the band through the Once Upon a Time album, which was a loan from our local library (and I eventually bought the Vinyl and a cassette of it from them when they cleared it as surplus stock). Naturally, the vinyl got copied to cassette before that as I loved it, and I probably drove my parents mad singing along (badly) to ‘Ghost Dancing’, ‘Oh, Jungleland’ and ‘All the Things She Said’. I used to play this loud before exams to calm down, something that probably annoyed Jon H and others who shared a house with me.

I very quickly found the older albums recorded in their Arista days, like Life in a Day, Reel to Reel Cacophony and Empires and Dance, and really liked their more synth driven style, but the record that really hit a mark was New Gold Dream (81-82-83-84) which includes some of my favourites like ‘Hunter and the Hunted’, ‘Someone, Somewhere, In Summertime’ and ‘The King is White and in the Crowd’. Synth driven slinkiness with a hint of rock.

Sons and Fascination / Sister Feelings Call - packaged as a double album - sat between Empires and Dance and New Gold Dream, and has some fantastic tracks such as ‘Theme for Great Cities’ and ‘Love Song’. They still feel modern and raw.

Sparkle in the Rain, which includes ‘Waterfront’ is the transition record to ‘Once upon a Time’. I have to say that it’s an album I need to be in the right mood for.

Most people who know Simple Minds from their stadium rock era will be thinking of ‘Don’t you (forget about me)’ – as written for the brat pack movie ‘The Breakfast Club’ and not by Kerr/Burchill and friends – and ‘Alive and Kicking’ or even ‘Belfast Child’ or ‘Mandela Day’. The earlier materual will be a bit of a shock but it’s worth a listen.

My first CD was the double disc Live in the City of Light, which is a cracking recording of two nights in concert in Paris during the Once Upon a Time Tour.

Street Fighting Years shifted in style, more openly political, and I overplayed this in Sixth Form. It also marked a shift in perception of the band; they dropped from being ‘cool’ as indie and Madchester were hitting but frankly, I didn’t care. Real Life came out when I was on my year out working before University. I played this a lot in the long haul up from Cheshire to north Cumbria, and I associate it very much with this drive[1]. I think the album is under-rated and it remains a favourite.

The next release was Good News from the Next World, which I mainly remember from the fact that I was in bed for two weeks with chronic Bronchitis at University and my then-girlfriend Sarah went out and bought it for me. It’s very listenable, but not hugely memorable.

I actually missed the fact that Néapolis was being released, stumbling upon it just after I finished University in the Asda in Bromborough. I quite liked it again, but it hasn’t been one I want to go back to. In fact, I started to wonder whether I would bother to buy another album if it came out.

The band then seemed to disappear. I didn’t know at the time, but they had an album prepared - Our Secrets are the Same - but it wasn’t released until the Silver Box collection due to record company politics. I can’t remember how I found them again, but I bought the CD of Cry soon after it came out, and loved the more modern style in it. Caught them touring part of this in Liverpool as well, and Jill & I used ‘New Sunshine Morning’ and ‘One Step Closer’ in the mix for our wedding. In fact, the latter was our first wedded dance.

The next release was Black and White 050505, which again seemed another step back towards form, removing some of my doubts. However, Simple Minds had definitely fallen behind Marillion in my pantheon of favourite bands.

Then, in 2009, Graffiti Soul was released, and was surprisingly playable. ‘Rockets’ was pop-tastic rock, and ’Stars will will Lead the Way’ had a killer guitar riff. As an album, in five years of owning an iPhone, it’s not been off the music stored in iTunes for on-the-go.

There was a greatest hits release last year (Celebrate), along with remasters of the first five albums, but I have to confess that I have ignored these. I may have a listen to X5 (the remasters) to see if the quality from the remix is worth replacing my existing versions, but the thing that excites me is the new album Big Music. The tracks that I’ve heard remind me of the early albums, but more polished.

So, don’t disturb me if you see me with headphones on Monday, because you know what I’ll be listening to.


For the record these are the original formats I bought:
- Life in Day - cassette
- Real to Real Cacophony - cassette
- Celebrate - cassette
- Empires and Dance - cassette
- Sons & Fascination - cassette
- Sister Feelings Call - cassette
- New Gold Dream (81—82-83-84) - Vinyl 45
- Sparkle in the Rain - cassette
- Once Upon a Time - Vinyl 45
- Live in the City of Light - CD
- Street Fighting Years - Vinyl 45
- Real Life - CD
- Good News from the Next World - CD
- Néapolis - CD
- Silver Box (Our Secrets are the Same) - CD
- Cry - CD
- Black and White 050505 - CD
- Graffiti Soul - Digital download
- Big Music - Digital download (subsequently CD)

8 December 2014

Update 27 December 2014
I’m really pleased with Big Music, and I have hardly stopped playing it since I bought it. This doesn’t happen that often…

____
[1]: Along with New Order’s ‘Substance’ and Depeche Mode’s ‘Violator’.

01 November 2014

Ten books which have stayed with you

Ten Books that have stayed with you.
Only missing “Rendezvous with Rama”, which is on Kindle as I foolishly lent out the original.

1. “The Hobbit" (JRR Tolkien)
I'm sure this book will feature in many people's top ten. "The Hobbit” was one of the first books that I read and reread regularly. Yes, its style is not as adult as "The Lord of the Rings", but it is full of joy and adventure, whereas the trilogy has always felt dark and doomed. I have to confess that "The Silmarillion" came very close to taking this spot as the shear epic feel of the sweep of history really hit the mark for me, despite it being difficult to read in some parts.

2. ”Downbelow Station" (CJ Cherryh)
CJ Cherryh writes character driven novels where the science fiction is almost incidental. "Downbelow Station" won the Hugo and the Nebula awards and is a book that I have returned to again and again, and is probably my favourite SF novel. Cherryh writes from the perspective of the character she is voicing, so you only ever know what they know. "Downbelow Station" is a story about the impact of war on people living at Pell's Station during the conclusion of a conflict between different human factions. Space battles, refugees, politics, and love are all in this, and I found the book nearly impossible to put down when I got it one Christmas. I can remember being at my grandparent's house and being unable to put it down. I can also recommend the audiobook, which - despite my having read the novel many times - revealed little details and nuances of the plot that I hadn't really dwelt on when I read it normally. Oh, and once you've read this, "Cyteen" is a must.

3. ”Rendezvous with Rama" (Sir Arthur C Clarke)
My Australian Second Cousin Kathy F gave me this book (along with another cracking tome on aircraft) when she left from staying with us, and it has stayed with me ever since. It's a story about humanity encountering an alien vessel and trying to work out what it is, what it does and whether the entry into the Solar System is just a coincidence. It's short compared to modern novels, and a great story of discovery. My only regret is that the original copy that I had was lost by someone who borrowed it. The BBC radio adaptation is also worth a listen if you can find it.

4. “Postmarked the Stars" (Andre Norton)
When I discovered Andre Norton at Holmes Chapel library as a young lad, I discovered science fiction and fantasy. The first novel in her free traders books "Sargasso of Space" had me hooked from the start with a tale of a young man joining a merchant trader and seeking his fortune in the stars. However, it's the third book in the series that stays with me and so I have named it here. This involved a colony world where all was not as it seemed. I still have the copy that I found at a bookshop in Cornwall or Devon on holiday, and I know that it has heavily influenced my love of the Traveller RPG. I have re-read this many times.

5. ”Winter's Tale (Mark Helprin)
Again, a book that I stumbled upon at the library, probably when I worked there as a Saturday assistant. Sadly, I've subsequently lost the glorious hardcover I had, but I have paperback and Kindle versions. This is a tale of love, of loss and of magic, set in a mythical version of New York. Peter Lake is a burglar who meets Beverly, a girl terminally ill, when he is breaking into her family's house and falls in love with her. Beautifully written, dreamy and evocative, it's not a book that I can read very often but it's one that I love very much. Recently filmed as 'A New York's Winter's Tale', which was a nice adaption.

6. “Neuromancer" (William Gibson)
I found this book - which I'd been looking for following reading a review in Dave Langford's column in White Dwarf - on a book stand while I was away at a Scout Camp. I think it may have been in Bala in Wales. It has stayed with me ever since (and got me into trouble with my father when I got it, as he didn't think it entirely appropriate for my age). It was the novel that crystalised a change in SF and I loved it. The vision it presents is bleak, but less technology obsessed than many of the roleplaying games in the same genre. The plot twists and Gibson's prose crackles with energy. I recently re-read this and had the chance to listen to the BBC Radio adaption which is fantastic.

7. "The Earthsea Sextet" (Ursula K Le Guin)
Le Guin's fantasy series is superb, and very different to many other fantasy series. I read this while at secondary school and loved it. I was even more excited when a further three books emerged over the years since I read it first, and one of my happiest book purchases was when I found the hardback edition so now I have a lovely set. It has meant that the original, well worn and loved, paperbacks can be passed onto Nathan when he is old enough.

8. "The Dark is Rising" Sequence (Susan Cooper)
I'm naming the whole sequence here, but if I had to choose one, it would be "The Dark is Rising". This is a darkly-lensed fantasy tale of a young boy who discovers that he isn't like the rest of his family and has special powers, and is drawn into an age-old conflict between the Light and the Dark. Starting in a family farmhouse, at the onset of winter, in our modern world, this novel was really evocative for me as it reminded me of the Cheshire countryside where I lived. This was an optional text for English at secondary school, but I went out and read all five books, and have done repeatedly. The film adaption, 'The Seeker', isn't brilliant. The film makers were a bit too influenced by Harry Potter.

9. The Merlin Trilogy (Mary Stewart)
This is the sequence "The Crystal Cave", "The Hollow Hills" and "The Last Enchantment". I was introduced to these by my paternal grandmother who was fascinated by the Arthurian legends, the Celts and history. The books very strongly influenced my view of the Pendragon RPG, which I always ran in a more gritty, less Mallory inspired mode. Mary Stewart weaves the Arthurian legend well, telling it from the perspective of Merlin. Her setting is in Greater and Lesser Britain as the Romans retreated, with the island threatened by the Saxons. It is epic, and - whilst told from the perspective of Merlin - the magic is mysterious and low key. It is almost believable. I have read this many times and will do again. There are two linked books; "The Wicked Day" which continues the story after "The Last Enchantment" with a somewhat sympathetic Mordred as a focus, and "The Prince and the Pilgrim", which I have yet to read, and is set within Arthur's reign.

10. "Mythago Wood" (Robert Holdstock)
A magical book, set just after the Second World War beside and inside a tract of primal woodland called Ryhope Wood in the south of England. The wood interacts and generate myth imagos representing the fears and hopes of the people who have lived in and around it. The world inside the wood is far bigger than it appears from the outside, stretching in space and time back thousands of years. The Huxley family get drawn into the world of the wood, full of conflicts and discoveries. The book is beautifully written, evocative and one I love to dip back into. There are a number of sequel/prequels which are also worth considering.

Ten Books... the shortlist
Missing the original Foundation Trilogy, which I am not sure where I’ve stored it!

This post grew from a meme on Facebook, which I found very difficult to finish as there are so many books that have meant so much to me over the years. There were several that - had I been in a different mood - would have made the cut, so I decided to give them an honourable mention.

The first was “Eagle of the Ninth” and its various sequels (“The Silver Branch”, “The Lantern Bearers”, “Frontier Wolf” ) written by Rosemary Sutcliff. Set in Roman Britain, these really fired my imagination (especially with the Legionnairy Fortress of Chester nearby) and impacted upon both my interpretation of Glorantha and the Pendragon game settings.

John le Carré didn't make the cut because although I love his work and will seek out and buy a new novel the moment it is released, I rarely re-read his books. However, his recent novels starting from “Absolute Friends” have been on fire, and he has been griped with a passion and anger that was absent post Cold War.

Isaac Azimov's Foundation Trilogy was a huge influence on me from an early age. My father had a copy of the Pan release with black covers and abstract shapes, and the epic scale of the tales resonated with me. Yes, the characters can be cutouts, but the overall scope is great. The expanded books are also good, but not in the same league for me.

Much as Chester influenced my love of Rosemary Sutcliff's Roman Britain books, another part of Cheshire is entwined in my love of some books. Alan Garner's wonderful, distinct “The Weirdstone of Brisingamen” and its sequel “The Moon of Gomrath” are long time favourites. I loved walking on the Edge at Alderley, and his books capture it and embue the place with even more magic than it naturally has.

Another author whose books have had a great influence on me is Guy Gavriel Kay. Kay is a true gem amongst authors, as most of his books eschew the traditional trilogy favoured in the fantasy genre. He writes well, and creates stand-alone stories in near historical analogues to our past history. One of my favourites is “A Song for Arbonne” but I could easily have picked any of his books.

Finally, how can I end this list without mentioning M. John Harrison's epic “In Viroconium” sequence. He writes beautifully; the sets of linked tales, gradually becoming more and more unfocussed from the dreamy, almost Moorcockian, technological fantasy they open with, shift and twist until they end up in a cafe in Yorkshire. The book is brilliant, and the audiobook even more so.

Actually, mentioning that, I have surprised myself that Michael Moorcock hasn't made this list with at least “Stormbringer”’s brightly paint, fast moving sorcerous war between law and chaos with the albino prince and his demon blade. Visual, probably drug-influenced, colourful and engaging text, worthy of a mention.
November 2014